Our Visual Art Residency and Programme Curator, Marta Pellerini, asked a series of artists to imagine and explore new ways of sharing and thinking about art in the aftermath of Covid-19. The following text is by artist and educator Alessandra Ferrini (2018 UAL Mead Rome Residency).
Reflections around the effects of the ‘Covid-19 emergency’ have a tendency of making generalisations, conceiving the lockdown and isolation measures as a monolithic experience. Yet, differences abound at both macro and micro levels. In the UK and US, for instance, it has been proven how Covid-19 has affected some demographics, specifically Black and South Asian, in a disproportionate way. In addition, the emergency measures have been impacting particularly those who are chronically ill, have a disability or struggle with mental health issues — as well as people whose immigration or housing status confines them at the margins, with no rights nor hope for support. Any reflection on ‘post Covid-19’, I believe, must take into account such varying experiences. To rethink the art world in light of the pandemic, thus, we should aim for a wider, structural transformation that actively fights systemic oppressions.
When emergency measures began, I remember hoping that mobility restrictions might lead to a sustained turn towards research, radical care and ‘deep listening’ in the arts, away from the focus on hyper production and visibility. Such aspects can be particularly detrimental for research-based practices that are not usually concerned with the art market and require long-term commitment with the object of study. As I was enjoying the slowing down of the art world (despite the risk of impending bankruptcy) museums and galleries were experiencing a crisis of identity fuelled by the fear of becoming irrelevant in a world dominated by virtual interaction. As it has happened, many have resorted to pre-crisis thinking through the hyper production and circulation of online content — often demanding artists to contribute without financial retribution. On the other hand, open calls and funding opportunities for hastily produced artworks in response to the Covid-19 emergency have mushroomed, asking artists to provide answers on such a heterogeneous and confusing new reality, without the appropriate space or tools to metabolize it. Then again, production has trumped research and the possibility of offering more thorough or mindful reflections.
All the while, the Black Lives Matter movement and the ecological crisis are demanding us to bring about a deep systemic change. As the art world slowly resumes to ‘business as usual’, can we develop a practice of radical care that won’t be cannibalised by turbocapitalist notions of progress and adaptation? Can we embrace research and deep listening to reshape the art system so that its political potential can be truly fulfilled? And in this equation what should the role of museums and galleries be? To radically rethink the system and valuing the ‘lessons’ of the Covid-19 emergency as well as the interconnected causes of the BLM and environmental rights movements, we need to renegotiate power dynamics and essentially commit to long-term investment in change rather than quick fixes.
Alessandra Ferrini is an artist, educator and PhD candidate at the University of the Arts London. Her work is lens-based and focuses on Italian foreign and racial politics, questioning the legacies of colonialism and Fascism.
The text is part of the project Letters post Covid-19 by BSR Visual Art Residency Residency and Programme Curator Marta Pellerini. Read Marta’s introduction to the project here