Summer and art at the BSR

Our July artists in residence from Newcastle University and those on the Meade Rome Residency from the University of the Arts London (Chelsea and London College of Communication) arrived just as the BSR façade was being completed. Together with Sainsbury Scholar Anna Brass and the three architects in residence on the Boas Award (Marco Fiorino, Fiona Cuypers-Stanienda and Aoi Phillips Yamashita), they curated a pop-up exhibition on the portico and steps on the evening of 25 July.

Elin Karlsson Portico_Elin_Karlsson2019_38

Elin Karlsson, untitled, 2019 (photo: Elin Karlsson)

Elin Karlsson (LCC, UAL) unfurled three large sails which she lit against the night sky with a floodlight hidden in a tiny cluster-cave of salt dough, broken glass and candles. Karl Foster (Chelsea, UAL) filled three abandoned niches beneath Piazzale Winston Churchill with a triptych of small dead trees that he found at the bottom of the road, with their roots exposed. Karl covered some of the tips of the branches with bits of plastic and clothing as a way to heal their wounds, ineffectually.

Karl Foster photo Portico_Elin_Karlsson2019_13

Karl Foster, i vostri figli i ragazzi pairoli crea spazzatura, 2019 (photo: Elin Karlsson)

Marco Fiorino (Cambridge) exhibited architectural mappings of in-between spaces connecting gardens and public urban spaces, having spent his time to explore historical gardens in and around Rome.

Marco Fiorino photo Elin_Karlsson2019_9

Marco Fiorino, Gardens for Third Nature, 2019 (photo: Elin Karlsson)

Abigail Hampsey’s (Newcastle University) paintings contrasted the classical limestone framework with entwined fluorescent narratives and Remi Rana Allen (Chelsea, UAL) presented The Memoirs of Lady Vagina Dentata and Killer Queen, a Medusa’s head made of Indian hair extensions from Delhi placing ‘black hair and dark skin’ as protagonists within traditional Western myths.

Abighail Hampsey photo Elin_Karlsson2019

Abi Hampsey, don’t miss, 2019 (photo: Elin Karlsson)

Remi Rana Allen photo Portico_Elin_Karlsson2019_17

Remi Rana Allen, Killer Queen, 2019 (photo: Elin Karlsson)

Fiona Cuypers-Stanienda’s (Architectural Association) four photographs of people and objects occupied an off-centre area near the doorway, reflecting her self-imposed challenge to understand and represent the use of public space in Rome.

Fiona Cuypers-Stanienda photo Portico_Elin_Karlsson2019_1

Fiona Cuypers-Stanienda, untitled, 2019 (photo: Elin Karlsson)

These very different practices that somehow spoke to each other brought the façade, hidden for months behind scaffolding, to life within an expansive discourse. This was an internal event that took place in an external setting which meant that people walking by were intrigued and stopped to look at the works exhibited.

In the previous weeks Meaghan Stewart (Newcastle University) led a monoprint workshop with left-over paints from previous BSR residents, inviting anyone curious to drop into her studio, including scholars and architects. She encouraged the less expert through the steps, from how to ink the acetate or glass support, create designs for effect, and experiment with different techniques. Some of the monoprints were exhibited on a table under the portico, including work by Anna Brass, Aoi Phillips Yamashita (Architectural Association) and Meaghan. The table featured small sculptures too, creating a miniature landscape for the prints.

Anna Brass, Aoi Phillips Yamashita and Meaghan Stewart photo Portico_Elin_Karlsson2019_5

Anna Brass, Aoi Phillips Yamashita and Meaghan Stewart (photo: Elin Karlsson)

Meaghan Stewart monoprint (photo MC)

Meaghan Stewart, untitled (Fountain of Maremma), 2019 (photo: Martina Caruso)

Meaghan Stewart monoprint workshop (photo MC)

Monoprint workshop with Meaghan Stewart (photo: Martina Caruso)

 

Martina Caruso (Assistant Director for Art, Architecture and the Creative Industries)