Today, on the occasion of the Giornata Nazionale del Paesaggio, a permanent display of photographs from the BSR Collections will be opened in the Sale della Rocca Colonna – with the room being dedicated to former BSR Director and pioneer of landscape archaeology John Bryan Ward-Perkins – at Castelnuovo di Porto. You can read more in this week’s feature in La Repubblica, or in the press release.
The exhibition John Bryan Ward-Perkins, SOUTH ETRURIA SURVEY. Un’ indagine fotografica sull’Etruria meridionale negli anni ’50 e ’60 is made up of fifteen photographic prints and is curated by Elisabetta Portoghese and Valerie Scott.
This follows the photographic exhibition Castelnuovo Fotografia in September, an initiative curated by Elisabetta Portoghese, in which a selection of photographs of excavations and archaeological surveys carried out in the area of Castelnuovo di Porto as part of the South Etruria Survey project was exhibited in a three-day event.
Ward-Perkins’ South Etruria Survey (1950s-70s) is one of the most important archaeological surveys conducted in Italy, and is pivotal for our understanding of the archaeological landscape preceding the urban expansion of Rome.
John Bryan Ward-Perkins – the BSR’s director from 1945 to 1974 – is well-known for his role as one of the World War Two Monuments Men in his capacity as Deputy Director of the Monuments, Fine Arts and Archives (MFA&A) Allied Sub-Commission in Italy from 1944 to early 1946.
It was in his capacity as a Monuments Man that Ward-Perkins was initially approached by John Bradford, a pioneer in landscape archaeology and aerial photography for research and scientific purposes. John Bradford was an English historian from Christ Church College, Oxford, who was recruited as photo interpreter in 1943 by the Mediterranean Allied Photographic Reconnaissance Wing (MAPRW) based in San Severo, a small village in Southern Italy (Puglia).
After inducing the RAF authorities to suspend the destruction of their photographs taken for military and intelligence operations, deemed so important for historians, geographers, archaeologists and researchers, Bradford persuaded Ward-Perkins of their unique value, and Ward-Perkins went on to make significant use of aerial photography when undertaking the South Etruria survey.
For further reading see Christopher Smith’s ‘J.B. Ward-Perkins, the BSR and the Landscape Tradition in Post-War Italian Archaeology’ in PBSR 86 (2018), pp. 271-92.
All images courtesy BSR Photographic Archive (Ward-Perkins Collection, South Etruria Series)