Simon Callery: Green Wallspine (Villa Carpegna)

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Green Wallspine (Villa Carpegna) was made in Rome during my Abbey Fellowship in Painting. October – December 2019.

Our first Abbey Fellow in Painting for 2018-19 Simon Callery is now back in the UK and showing some of his work from his BSR residency at the ongoing Jonah Jones Centennial Exhibition. In this blog Simon tells us about his process for making Green Wallspine (Villa Carpegna) which was first shown at December Mostra.

During my fellowship I had plans to take my canvas out onto the streets of the historic city centre and work directly in contact with the hard surfaces of the walls and streets. After days of looking for potential sites I realized that this was going to be impossible and I wouldn’t be able to work in such a busy and well-protected environment.

I decided to approach it in another way. One morning I took the metro east to Battistini in the suburbs, the last stop on the A line, with the intention of finding somewhere quiet to work whilst walking back to the BSR in Parioli. The folded canvas I was carrying had already been coloured with chromium oxide pigment and rabbit skin glue size.

On the busy Circonvallazione Aurelia, a noisy main road leading back into town, I found an entrance off the thoroughfare into the Villa Carpegna. I was in a walled urban park. In an overlooked corner of the park a redundant set of stone steps led up to a bricked-in aperture in the wall. I was able to put my canvasses on these steps and mark and puncture them. I worked quickly and in response to the broken surfaces I could feel under the fabric.

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Now I had some material with scratches and holes – a record of physical contact with the city. Back in the studio, I cut and sewed these canvasses into four distinct parts and incorporated a step into the proportions. I made four small wood brackets to support them, next to one another, at 90° to the wall.

Researching the site of my work I found out that Villa Carpegna had been built on farmland acquired by Cardinal Gaspare Carpegna in 1684 and subsequently developed by architect Giovanni Antonio di Rossi. It was acquisitioned by the Comune di Roma in 1978 and it now houses the Quadriennale di Roma, an organization set up to support and promote contemporary Italian art.

Simon Callery (Abbey Fellow in Painting 2018-19)

The Jonah Jones Centennial Exhibition runs until 17 March 2019.