June Mostra 2018 / Meet the artists…Oona Grimes

As we approach the June Mostra, our third exhibition of this academic year, we will be publishing a series of blogs taking a closer look at the individual practices of our seven resident artists. Our interview is with Oona Grimes, our Bridget Riley Fellow.

 

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Photo by Antonio Palmieri 

Tell us about your journey in Rome so far and what you have experienced this term?

The story board rolls on…

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‘roman sKandals’, 75x110cm

I came to Rome with a selection of films playing in my head – from the Neorealists to late Fellini. Particular scenes and actions began to haunt me, sequences with particular relevance to the time and the place.

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Still from ‘coming soon : Stromboli’s bucket’

The Piazza Rotunda was one of my daily morning walks –  just to be in Rome – early, before the crowds, to watch the road sweepers and the shop keepers setting up. I began learning specific filmed actions, initially concentrating on the scene from Umberto D when he is reduced to begging outside The Pantheon – rehearsing and repeating his actions in order to Know them, drawing them physically, drawing myself into the film.

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Umberto D. Script (Photo: Rocco Sciaraffa)

I continued filming with Mozzarella in Carrozza, drawn from Bicycle Thieves – focusing on the excruciatingly painful scene in the restaurant Antonio and his son, Bruno can’t afford – a scene of misplaced pride, disillusion and the vivid class divide between them and the diners.

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Still from ‘coming soon’ : mozzarella in carozza [Bicycle Thieves]’ i.phone rushes : 3’07”

Now, ‘u.e u’. from Pasolini’s Uccellacci e Uccellini, filmed in Garbatella. Bird calls haunt me in the studio, their repetitive song invades my dreams.  ‘u.e u.’ is a sublime dance of miscommunication, mistranslation, absurd jumpy hands gestures referencing both gestures from paintings and everyday communication. Using 16mm film cut with iPhone clips I chased language – both the learning and losing of it – the omissions, the torn, the discontinuity, the patches, the bad repairs.

I spent a day at Cinecitta with an incredible fake Sistine Chapel and Chapel of Tears, the reality and the illusion madly muddled into un Papa in acqua pazza. A visit from the Vatican press intensified the hallucination as dog collars and papal gowns munched pizza over lunch.

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The ‘real’ Sistine Chapel (Photo: copyright free image)

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Spot the difference… the Sistine Chapel re-created at Cinecitta

Parallel Pantheon worlds… Bishops and Monsignors… drapes and folds and hand gestures, rituals and roses.

Walking, watching, hand gestures, the sign language of hands, mis-translation and mis-communication, bird language, silent language.

Drapes and folds pleats and drapes fabric fashion folds.

 

In your exploration of Italian Cinema, have you found a female character to feature in your work?

I’ve been looking at Liliana Cavani and Ketty La Rocca, Laura Betti and Silvana Mangano but the story board embraces a motley and disparate bunch of characters none of whom take starring roles – they are more the underdogs and background extras.

 

Last term you spoke about your first experiences in Rome as “a sea of visual treats…felt like a veritable tartan sea sponge, a kid who has overdosed on candy floss”. Has this also been the case this term or have you been focusing on specific themes?

The sponge gets bigger!

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‘angelo del fango’, 75 x 110cm

The six months have made an Enormous difference. Initially I was too ravenous, greedily devouring and collecting. Now it has been amazing to re-visit collections and spend time with just one work. Daily there are new discoveries and long lists for future explorations.

This term I have enjoyed watching the light change and the city fill up with visitors. The drapery, the folds, the fabric has etched itself into my brain… Folds n flocks, soft squidgy marble folds….

Stay tuned… ‘coming soon e.u e.’ …

 

Oona’s work will be exhibited alongside the six other resident artists in the June Mostra. The opening will take place on Friday 15 June 18.30-21.00. Opening hours 16.30-19.00 until Saturday 23 June 2018, closed Sundays.

Interview by Alice Marsh (Communications & Events). Photos by Oona Grimes, unless otherwise stated.

 

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