Director Christopher Smith recently embarked on a visit to the other side of the world to reunite with friends and contacts from the BSR antipodean community. Below, he shares some memories from his trip.
‘The BSR has always been enriched by its Commonwealth connections; it was an essential part of our original foundation to be an open and broad-based international organisation and it has been a joy for me to see this in operation week after week in our community.
From time to time, it is also an important but rather thrilling task for directors to visit countries from which we receive so much, and in January and February 2016 my wife Susan and I were in New Zealand and Australia.
In Christchurch, which we had visited between the first and second of the awful earthquakes in 2010 and 2011, I was able to catch up with Enrica Sciarrino, a colleague on the Fragmentary Roman Orators Project, led by Catherine Steel in Glasgow. Enrica, artist Simon Ogden and I were welcomed by Andrew Drummond in his astonishing studio, a converted railway carriage factory. It was the first of many occasions on which it was brought home to us how rich and deep the artistic and academic culture is, and how many friends the BSR has earned worldwide.
Following a few days of private travels in the South Island – where I caught my first ever fish (and probably last if truth be told!) – we flew to Auckland for Politics and Power in the Early Roman Republic (509-264 BC) a conference organised by Jeremy Armstrong. This was a rich intellectual feast on a subject seldom covered, and it was exciting to see how many old BSR friends were there. Jeremy himself brings his Auckland students to Rome every other year. Fay Glinister and Guy Bradley were both award-holders and Kathryn Welch and Ron and Therese Ridley have been supporters for many years, and Maxine Lewis is now a new regular visitor. I am very grateful to Jeremy and the University of Auckland for supporting my visit so generously.
Away from Roman thoughts there was also the welcome opportunity to visit the BSR’s good friend Mary Kisler at the wonderfully refurbished Auckland Art Gallery. Mary has charge of the astoundingly rich historical collection, which includes an outstanding Guido Reni. Her book, Angels and Aristocrats, is a fascinating account of the arrival of European art into New Zealand.
Our next stop was Melbourne for the annual conference of the Australasian Society for Classical Studies, where I was speaking again on early Rome. An impeccably organised conference, ASCS is now in its 50th year, and demonstrates Australasian Classics is in very good health. Three particular strengths seem to me a passionate commitment to the languages of Latin and Greek, a really sharp appreciation of the nuances of politics, and a growing base in late Roman and Byzantine studies. It was good to see many former BSR award-holders and City of Rome students too.
Melbourne has a particularly strong network of BSR award-holders and friends and a chance for people to catch up and make new connections was afforded by a reception very kindly hosted for us by Di Bresciani at her wonderful home. Di and Lino’s support of the BSR is of long standing; she and Caroline Egerton worked together on an earlier development campaign and we regularly welcome one of Di’s talented Youth Music Foundation scholars. Di and Lino’s generous hospitality allowed us also to celebrate Lisa Beaven’s recent grant to work on some of our archive prints and photos. I was also delighted to spend time with Su Baker and Jon Capattan at the Victorian College of the Arts and our relationship with Melbourne will I’m sure go from strength to strength.
Sydney next – a very different city of course, but no less warm a welcome. Lea Beness and Tom Hillard are regular visitors to the BSR, and very generously hosted us; and I had very kind audiences at the Universities of Sydney and Macquarie.
A characteristic of recent times has been the presence at the BSR of the Macquarie Gale Rome Scholar. It was terrific to see Janet Gale with many of the scholars she has supported so staunchly, and especially since one of their number, Claire Rowan, now at Warwick, has just won a major ERC grant – a testament to the role of such generosity, and our resources, in supporting early career researchers. Just before starting our trip we had had the great pleasure of seeing Suzy Coleman and Jeffrey Hilton who sponsor a similar scholarship for a Sydney University scholar. These thoughtful sponsorships enable excellent Australian scholars to spend extended periods at the BSR deepening their command of their subjects and enriching the BSR’s international community.
It was also great to visit the National Art School Sydney, where Director Michael Snelling hosted a lunch for the NAS award-holders at the BSR, and I was able to stop by the Australia Council for the Arts (ACA) to thank them for nearly twenty years of support.
With the kindness of the University of Sydney’s Classics department and especially Tom, Lea and Kathryn Welch, we hosted a reception for Sydney based BSR friends. It was a delight to see recent award-holders as well as those whose BSR links go back somewhat further! Many of the nearly seventy ACA artists came to one or other of the receptions, as well as representatives and award-holders from the William Fletcher Foundation which supports a three-month arts award at the BSR. Time and again, award-holders told us how important their time in Rome had been for their careers, and it was really moving to see this depth of affection for the BSR.
Finally, we flew to Adelaide where our newest partner, the Helpmann Academy, generously organised a fascinating visit to the major art schools, and a chance to see even more award-holders and friends, as well as catch a glimpse of the run-up to the Adelaide Festival. We were thrilled to encounter the rich and varied cultural life of a city we had never visited before (Susan highly recommends the Penfolds’ tasting tour!), and I was honoured to have been involved in the selection of a new Helpmann Academy Resident, who will join us in the spring.
So many memorable occasions remain with us – visiting the Waitangi Treaty Grounds, seeing fireworks in Sydney, catching the two remarkable shows, Warhol and Wei Wei at the NGV in Melbourne and Grayson Perry at Sydney MCA, visiting the glass foundry at the Jam Factory in Adelaide. The sheer beauty of these two countries, and the vitality of the culture we encountered everywhere from street art to magnificent museum collections to challenging academic conferences, remain with me. Above all, Susan and I were moved by and grateful for the warmth of our welcome at every stage. We hope we will see old and new friends again at via Gramsci, and the BSR will always continue to be a bridge for the Commonwealth into the heart of Rome.’
Christopher Smith (Director)